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| 116.610 | 한국미술사연구 | |
| 116.629 | 한국회화사연구 | |
| 116.631 | 한국공예사연습 | |
| 116.632 | 한국근현대미술연구 | |
| 116.633 | 중국미술사연구 | |
| 116.634 | 일본미술사특강 | |
| 116.635 | 인도미술사특강 | |
| 116.637 | 중앙아시아미술특강 | |
| 116.638 | 동남아시아미술특강 | |
| 116.642 | 동양미술사연구 | |
| 116.645A | 불교미술연구 | |
| 116.646 | 미술사연구법특강 | |
| 116.657 | 바로크미술연습 | |
| 116.658 | 18세기서양미술연습 | |
| 116.659 | 19세기서양미술연구 | |
| 116.660 | 20세기서양미술연구 | |
| 116.661 | 미국현대미술연습 | |
| 116.666 | 르네상스미술연습 | |
| 116.667 | 서양중세미술연습 | |
| 116.668 | 한국도자사연습 | |
| 116.669 | 사진사연습 | |
| M1265.000300 | 서양고대미술연습 |
이 과목은 한국 역사 고고학의 주요 주제에 대한 강독과 토론을 통하여, 각 주제에 관련된 고고학 자료, 분석 방법, 접근 방법, 이론적 틀에 대해 숙지하고 이를 비판적인 관점에서 논의할 수 있도록 하는 것을 목적으로 한다. 한반도의 원삼국 시대, 삼국 시대, 통일신라시대 이후에 이르기까지, 역사 시대의 주요 논점들에 대한 논저를 섭렵하고, 이에 대한 주제 발표 빛 토론을 중심으로 수업이 진행될 것이다.
이 과목은 인류가 사용한 가장 이른 시기 유물 중 하나인 석기를 분석하여 그 의미를 해석해내는 것을 목적으로 한다. 이를 위해 석기의 제작방법과 사용방법 등을 검토하고 실제 석기의 분석방법을 익히도록 한다.
이 과목은 한국 선사 고고학의 주요 주제에 대한 강독과 토론을 통하여, 각 주제에 관련된 고고학 자료, 분석 방법, 접근 방법, 이론적 틀에 대해 숙지하고 이를 비판적인 관점에서 논의할 수 있도록 하는 것을 목적으로 한다. 한반도의 구석기 시대, 신석기 시대, 청동기 시대의 주요 논점들에 대한 논저를 섭렵하고, 이에 대한 주제 발표 빛 토론을 중심으로 수업이 진행될 것이다.
The Agricultural Revolution in Prehistory /
The Agricultural Revolution in Prehistory addresses one of the most debated and least understood revolutions in the history of our species, the change from hunting and gathering to farming. Graeme Barker takes a global view, and integrates a massive array of information from archaeology andmany other disciplines, including anthropology, botany, climatology, genetics, linguistics, and zoology. Against current orthodoxy, Barker develops a strong case for the development of agricultural systems in many areas as transformations in the life-ways of the indigenous forager societies, andargues that these were as much changes in social norms and ideologies as in ways of obtaining food. With a large number of helpful line drawings and photographs as well as a comprehensive bibliography, this authoritative study will appeal to a wide general readership as well as to specialists in avariety of fields.
The Archaeology of China /
This book explores the roles of agricultural development and advancing social complexity in the processes of state formation in China. Over a period of about 10,000 years, it follows evolutionary trajectories of society from the last Palaeolithic hunting-gathering groups, through Neolithic farming villages and on to the Bronze Age Shang dynasty in the latter half of the second millennium BC. Li Liu and Xingcan Chen demonstrate that sociopolitical evolution was multicentric and shaped by inter-polity factionalism and competition, as well as by the many material technologies introduced from other parts of the world. The book illustrates how ancient Chinese societies were transformed during this period from simple to complex, tribal to urban, and preliterate to literate.
The Archaeology of Japan /
This is the first book-length study of the Yayoi and Kofun periods of Japan (c.600 BC-AD 700), in which the introduction of rice paddy-field farming from the Korean peninsula ignited the rapid development of social complexity and hierarchy that culminated with the formation of the ancient Japanese state. The author traces the historical trajectory of the Yayoi and Kofun periods by employing cutting-edge sociological, anthropological and archaeological theories and methods. The book reveals a fascinating process through which sophisticated hunter-gatherer communities in an archipelago on the eastern fringe of the Eurasian continent were transformed materially and symbolically into a state.
이 과목은 현대고고학에서 중요하게 다루어지는 다양한 주제들을 선정하여 그에 대한 집중적인 검토를 하는 것을 목적으로 한다. 이를 위해 다양한 이론적 경향과 방법론을 분석하고 그에 대한 활발한 논의를 이끌어내고자 한다.
이 과목은 일본 고고학의 동향과 최근 성과에 대한 검토를 목적으로 한다. 본 과목에서는 매년 엄청난 양의 신자료가 발견되고 있는 일본의 고고학 현황에 대해 수강생으로 하여금 자신의 연구 목적을 위해 체계적인 정리를 할 수 있는 시각을 키워주는 것을 목적으로 하고 있다. 또한 한국 고고학과 밀접한 관계가 있는 사안에 대해 수강생으로 하여금 해당 사안에 대한 연구사적 배경과 다양한 시각을 이해할 수 있는 능력을 배양시키고자 한다.
이 과목은 유럽 지역에서의 고고학 현황과 연구 경향을 검토하는 것을 목적으로 한다. 유럽에서 고고학 연구는 각국의 다지다양한 학사적 배경에서 이루어져 왔고 그 내용 또한 다양한 만큼, 본 과목은 수강생들로 하여금 그러한 다양성에 대한 최소한의 이해를 갖추도록 함과 더불어 유럽 고고학의 전반적 편년 체계와 주요 쟁점에 대해 소개하는 것을 목표로 한다.
이 과목은 고고학 연구에서 기본적이고 중심적 위치를 차지하는 유물인 토기의 분석 및 그 의미의 해석과 관계된 각종 연구 방법론의 숙지를 목적으로 한다. 이를 위해 과목에서는 토기의 속성과 그 특징을 분석함에 필요한 각종 자연과학적 방법과 더불어, 토기 원료의 획득에서 제작 및 분배에 이르기까지의 사회경제적 배경 이해와 관계된 각종 경제학적, 사회학적, 인류학적 주제를 다루게 될 것이다.
The Archaeology of Death /
Evidence for the disposal of the dead is one of the most common classes of archaeological data; in both prehistoric and historic contexts, archaeologists have long used the remains of death and burial as a source for interpretations of society, culture and ethnic identity. This volume, bringing together studies on the disposal of the dead, explores the frontiers and potential of research and presents critical appraisals of theory about social organisation and culture change. It contains case studies from both North America and Europe and themes include the complex social factors behind burial in monuments and cemeteries, the relationship between status, diet, disease and mortality, the use of differential burial practices to define rank and the underlying reasons for major changes in burial patterns.
Mortuary Variability / 
Mortality and Immortality / 
Social Memory, Identity, and Death /
This current volume is a response to those who envision the four fields of anthropology as mutually exclusive entities, and all the papers demonstrate the efficacy of a cross-field or cross-disciplinary approach to analyzing rituals associated with death. The authors engage both ethnographic and archaeological perspectives on mortuary practices, and to describe the interdependence of crafting social memories and identities in mortuary practices, a subject that has received considerable attention from both archaeologists and ethnographers. The powerful combination of ethnographic and archaeological research into mortuary practices in the same volume highlights the interconnections between the archaeology and ethnography and illustrates an exciting dialogue between archaeologists and ethnographers. This rich collection of archaeological and ethnographic case studies of death, identity, and social memory illustrates how much archaeologists can learn from ethnographers, and ethnographers from archaeologists.
Ideology, Power and Prehistory /
This book starts from the premise that methodology - the procedures for obtaining an 'objective' knowledge of the past - has always dominated archaeology to the detriment of broader social theory. It argues that social theory is archaeological theory, and that past failure to recognise this has resulted in disembodied archaeological theory and weak disciplinary practice. Ideology, Power and Prehistory therefore seeks to reinstate the primacy of social theory and the social nature of the past worlds that archaeologists seek to understand. The contributors to this book argue that past peoples, the creators of the archaeological records, should be understood as actively manipulating their own material world to represent and misrepresent their own and others' interests. Thus the concepts of ideology and power, long discussed in social and political science yet largely ignored by archaeologists, must henceforward play a central role in our understanding of the past as a social creation. Archaeologists must now consider how the material remains they study were used to create images by past societies, which do not simply mirror or reflect but actively orientate the nature of these societies.
Symbolic and Structural Archaeology /
This volume presents a searching critique of the more traditional archaeological methodologies and interpretation strategies and lays down a firm philosophical and theoretical basis for symbolist and structuralist studies in archaeology. A variety of procedures, ranging from ethnoarchaeological studies and computing techniques to formal studies of artefact design variability, are utilized to provide models for archaeologists within the proposed framework and the theory and models are then applied to a range of archaeological analyses. This particular approach sees all human actions as being meaningfully constituted within a social and cultural framework. Material culture is not simply an adaptive tool, but is structured according to sets of underlying principles which give meaning to, and derive meanings from, the social world. Thus structural regularities are shown to link seemingly disparate aspects of material culture, from funerary monuments to artefact design, from the use of space in settlements, to the form of economic practices.
Death-Ritual and Social Structure in Classical Antiquity /
In this innovative book Dr Morris seeks to show the many ways in which the excavated remains of burials can and should be a major source of evidence for social historians of the ancient Graeco-Roman world. Burials have a far wider geographical and social range than the surviving literary texts, which were mainly written for a small elite. They provide us with unique insights into how Greeks and Romans constituted and interpreted their own communities. In particular, burials enable the historian to study social change. Ian Morris illustrates the great potential of the material in these respects with examples drawn from societies as diverse in time, space and political context as archaic Rhodes, classical Athens, early imperial Rome and the last days of the western Roman empire.
Fragments of Antiquity /
This is an account of society in Britain over almost two millennia, beginning in the late Neolithic and taking the story well into the Bronze Age. The author charts the emergence of a group of ceremonial and highly ritualized peoples, and throws new light on the origins and purpose of the great monuments they created, Stonehenge and Avebury among them. John Barrett questions many current assumptions about the nature and early history of these peoples, including their relation to the hunter-gatherers of the fifth millenium. He also makes a significant and controversial contribution to several key debates among archaeologists - notably, on the gathering and use of material evidence, on the nature and causes of social and cultural change, and on the place of social theory in interpreting and understanding prehistory.
Death and Memory in Early Medieval Britain /
Addresses the commemorative functions of funerary ritual between 400OCo1100 AD using archaeological remains as its evidence base."
British Barrows /
Prehistoric barrows were not only monuments to the dead but mounds for the living--making out land, defining pathways, acting as powerful symbols, and forming a major part of perceived landscapes which welded nature and human history together. Concentrating on the long and round barrows of Neolithic and Bronze Age date, but also covering Iron Age square barrows, Ann Woodward employs accounts of many excavations and field projects, as well as her own research, to provide one person's view of how barrows fit into British prehistory.
이 과목은 고고학 연구의 중요한 자료인 고분과 관계된 연구에 수반되는 각종 연구 방법론을 검토함을 목적으로 한다. 고분의 연구는 고분의 구조, 분포, 축조 방식, 유물 매납 방식, 매장주체부의 구성 등과도 같은 외형적 특징에 대한 분석과 더불어, 그러한 제반 특징에 대한 종합적 분석을 통한 해당 고분을 남긴 사회와 권력의 구조적 특징과 기원의 연구와도 같은 비가시적 분야의 연구에 이르기까지 다양한 분야를 포괄하는 만큼, 본 과목에서는 수강생으로 하여금 이러한 제반 분야의 연구 방법론을 숙지시키고자 한다.
Practical and Theoretical Geoarchaeology /
Practical and Theoretical Geoarchaeology provides aninvaluable overview of geoarchaeology and how it can be usedeffectively in the study of archaeological sites and contexts.Taking a pragmatic and functional approach, this bookpresents: a fundamental, broad-based perspective of the essentials ofmodern geoarchaeology in order to demonstrate the breadth of theapproaches and the depth of the problems that it can tackle. the rapid advances made in the area in recent years, but alsogives the reader a firm grasp of conventional approaches. covers traditional topics with the emphasis on landscapes, aswell as anthropogenic site formation processes and theirinvestigation. provides guidelines for the presentation of field andlaboratory methods and the reporting of geoarchaeologicalresults. essential reading for archaeology undergraduate and graduatestudents, practicing archaeologists and geoscientists who need tounderstand and apply geoarchaeological methodologies. Artwork from the book is available to instructors online at:www.blackwellpublishing.com/goldberg ?This is one of the best textbooks that I have read inyears. I enjoyed reviewing it, and found it well-written andthorough in its coverage of the traditional earth science aspectsof geoarchaeology. The non-traditional aspects were intriguing andequally thorough... I predict that this book will become thetextbook of choice for geoarchaeology classes for severalyears.? Geomorphology 101 (2008) 740?743
이 과목에서는 층서학, 제4기 고고학, 퇴적학, 지형학, 토양학, 연대측정학을 비롯한 여러 연구 분야의 다양한 방법론을 채택해 나름대로의 독자적인 학문 영역을 구축하고 있는 지질 고고학의 이론과 방법론을 검토하고자 한다. 지질 고고학은 특히 유적의 형성과 변형과정의 이해 파악에 있어 필요불가결한 분야로서, 지질 고고학적 안목은 현대적 고고학 야외조사 과정에서 필수적으로 요구된다. 수업의 상당 부분은 야외 및 실험실 실습으로 이루어질 것이다.
Death and Changing Rituals: Function and meaning in ancient funerary practices /
The forms by which a deceased person may be brought to rest are as many as there are causes of death. In most societies the disposal of the corpse is accompanied by some form of celebration or ritual which may range from a simple act of deportment in solitude to the engagement of large masses of people in laborious and creative festivities. In a funerary context the term ritual may be taken to represent a process that incorporates all the actions performed and thoughts expressed in connection with a dying and dead person, from the preparatory pre-death stages to the final deposition of the corpse and the post-mortem stages of grief and commemoration. The contributions presented here are focused not on the examination of different funerary practices, their function and meaning, but on the changes of such rituals - how and when they occurred and how they may be explained. Based on case studies from a range of geographical regions and from different prehistoric and historical periods, a range of key themes are examined concerning belief and ritual, body and deposition, place, performance and commemoration, exploring a complex web of practices.
Death Rituals, Social Order and the Archaeology of Immortality in the Ancient World /
Modern archaeology has amassed considerable evidence for the disposal of the dead through burials, cemeteries and other monuments. Drawing on this body of evidence, this book offers fresh insight into how early human societies conceived of death and the afterlife. The twenty-seven essays in this volume consider the rituals and responses to death in prehistoric societies across the world, from eastern Asia through Europe to the Americas, and from the very earliest times before developed religious beliefs offered scriptural answers to these questions. Compiled and written by leading prehistorians and archaeologists, this volume traces the emergence of death as a concept in early times, as well as a contributing factor to the formation of communities and social hierarchies, and sometimes the creation of divinities.
Interacting with the Dead: Perspectives on Mortuary Archaeology for the New Millennium /
This collection explores the behavioral and social facets of funerary, mortuary, and burial rites in both past and present societies. By utilizing data from around the world and combining recent and ongoing concerns in anthropology, it takes the study of mortuary archaeology to a new and significant level of interdisciplinary research. Drawing inspiration from ethnohistory, ethnography, bioarchaeology, and sociocultural anthropology, the authors focus on themes of gender, ancestorhood, ritual violence, individual agency, space and placement, and extended and secondary mortuary ceremonialism. They also expand the interdisciplinary focus of mortuary practices and reassess previous anthropological theories. No previously published work on the archaeology of mortuary remains presents such a range of examples of ritual practices through time and around the globe. Because of its wide scope and interdisciplinary approach, Interacting with the Dead will be indispensable not only to archaeologists and anthropologists but also across the social sciences and humanities and to all who study cross-cultural rituals.
본 과목에서는 인간의 신체 잔존물을 연구 대상으로 하는 인골고고학의 연구방법론을 토대로 과거의 문화상 및 사회상을 복원하는 사례를 논의하게 될 것이다. 체질인류학, 고병리학, 유전학, 고고화학 등의 다양한 연구방법론을 고고학 연구에 활용하는 기본 원리에 대해 습득하고, 실제 연구 사례를 고고학적 맥락에서 논의함으로써 고고학 연구에 이러한 연구 결과를 활용할 수 있는 지식을 갖추도록 훈련하게 될 것이다.
이 과목은 고고학에 있어서 도구와 기술의 기원, 발전에 대하여 고찰하고자 한다. 도구와 기술의 정의, 발전양상을 살펴봄으로써 인류의 진화에 있어서 인간의 행위와 문화의 변동양상에 대하여 이해하도록 한다.
이 과목은 일제시대 이래 현재에 이르기까지 한국고고학이 흘러온 역사를 살핌으로써 한국고고학이 나아갈 방향을 살펴보는 데에 목적이 있다. 학생들은 남북한은 물론 한국고고학의 형성에 많은 영향을 끼친 중국과 일본의 고고학 문헌을 검토하고 그 내용과 학사적 의미를 추출하여, 현재의 한국고고학이 어떤 과정을 거쳐 변화하여 왔는지에 대한 이해를 도모한다.
Geographical Information Systems in Archaeology /
Geographical Information Systems has moved from the domain of the computer specialist into the wider archaeological community, providing it with an exciting new research method. This clearly written but rigorous book provides a comprehensive guide to that use. Topics covered include: the theoretical context and the basics of GIS; data acquisition including database design; interpolation of elevation models; exploratory data analysis including spatial queries; statistical spatial analysis; map algebra; spatial operations including the calculation of slope and aspect, filtering and erosion modeling; methods for analysing regions; visibility analysis; network analysis including hydrological modeling; the production of high quality output for paper and electronic publication; and the use and production of metadata. Offering an extensive range of archaeological examples, it is an invaluable source of practical information for all archaeologists, whether engaged in cultural resource management or academic research. This is essential reading for both the novice and the advanced user.
이 과목은 지리정보체계(GIS)를 활용하여 고고학 자료를 공간분석하기 위한 이론적, 방법론적 지식을 습득하고 실습하는 것을 목적으로 한다. GIS를 고고학 연구에 적용하는 데 필요한 이론적 기반을 학습하고, ArcGIS 프로그램을 활용하여 공간분석을 시행하는 실습 과정으로 수업이 진행된다. 위성 사진, 고지도, 디지털 현장정보 등을 획득하고, 지도상에 입력하고, 궁극적으로 공간적 통계를 이용하여 자료를 분석하는 방법을 학습하며, 나아가 이러한 기술을 이용하여 과거 인간의 행위와 유적 형성의 일정한 패턴을 추론하는 방법을 습득하는 것이 이 과목의 주요 내용이다.
한국조각의 흐름과 변천을 고대부터 조선시대까지 이해하고 불상에 관한 역사기록, 명문 등을 찾아서 그 불상의 명칭, 연대, 비교유물, 제작자, 불교사상, 경전 및 신앙의 성격, 역사 및 미술사적 중요성을 고찰한다.
한국의 회화, 조각, 불교회화, 공예 등의 다양한 미술문화에 대해 폭넓고 심도있게 다루는 세미나 강의이다.
한국회화사에 관련된 여러 주제 중 학기 마다 다른 주제를 선정한다. 학생들은 이와 관련된 논문을 발표하고 토론하는 방식으로 수업이 진행된다.
중국미술의 회화, 조각, 공예 등의 다양한 미술문화현상 중 하나의 주제를 선정하여 발표와 토론으로 수업을 진행한다.
Art and Palace Politics in Early Modern Japan, 1580s-1680s /
During the first century of Japan s early modern era (1580s to 1680s), art and architecture created for the imperial court served as markers of social prestige, testifying to the enduring centrality of the palace to the cultural life of Kyoto. Emperors Go-Y zei and Go-Mizunoo relied on financial support from ruling warlords Toyotomi Hideyoshi and the Tokugawa shoguns just as the warlords sought imperial sanction granting them legitimacy to rule. Taking advantage of this complex but oftentimes strained synergy, Go-Y zei and Go-Mizunoo (and to an unprecedented exent his empress, T fukumon in) enhanced the heriditary prerogatives of the imperial family. Among the works described in this volume are masterpieces commissioned for the residences and temples of the imperial family, which were painted by artists of the Kano, Tosa and Sumiyoshi ateliers, not to mention Tawaraya S tatsu. Anonymous but deluxe painting commissions depicting grand imperial processions are examined in detail. The court s fascination with calligraphy and tea, arts that flourished in this age, is also discussed in this profusely illustrated volume.
The Artist in Edo /
During the early modern period in Japan, peace and prosperity allowed elite and popular arts and culture to flourish in Edo (Tokyo) and Kyoto. The historic first showing outside Japan of Itō Jakuchū's thirty-scroll series titled Colorful Realm of Living Beings (ca. 1757-66) in 2012 prompted a reimagining of artists and art making in this context. These essays give attention to Jakuchū's spectacular series as well as to works by a range of contemporary artists. Selected contributions address issues of professional roles, including copying and imitation, display and memorialization, and makers' identities. Some explore the new form of painting, ukiyo-e, in the context of the urban society that provided its subject matter and audiences; others discuss the spectrum of amateur and professional Edo pottery and interrelationships between painting and other media. Together, they reveal the fluidity and dynamism of artists' identities during a time of great significance in the country's history.
Obtaining Images /
The Edo period (1603-1868) witnessed one of the great flowerings of Japanese art. Towards the mid-seventeenth century, the Japanese states were largely at peace, and rapid urbanization, a rise in literacy and an increase in international contact ensued. The number of those able to purchase luxury goods, or who felt their social position necessitated owning them, soared. Painters and artists flourished and the late seventeenth century also saw a rise in the importance of printmaking. There were dominant styles and trends throughout Japan, but also those peculiar to specifc regions, such as the Kanto (Edo) and the Kamigata (Osaka and Kyoto) and, more remotely, Nagasaki. Obtaining Images introduces the reader to important artists and their work, but also to the intellectual issues and concepts surrounding the production, consumption and display of art in Japan in the Edo period. Rather than looking at these through the lens of European art, the book contextualizes the making and use of paintingsand prints, elucidating how and why works were commissioned, where they were displayed and what special properties were attributed to them. Different imperatives are at work in the art of different traditions, and Obtaining Images firmly anchors the art of Japan of this period in its contemporary context, offering a highly engaging and comprehensive introduction for the student and general reader alike.
Utamaro and the Spectacle of Beauty /
One of the most influential artists working in the genre of ukiyo-e ("pictures of the floating world") in late-eighteenth-century Japan, Kitagawa Utamaro (1753?-1806) was widely appreciated for his prints of beautiful women. In images showing courtesans, geisha, housewives, and others, Utamaro made the practice of distinguishing social types into a connoisseurial art. In 1804, at the height of his success, Utamaro, along with several colleagues, was manacled and put under house arrest for fifty days for making prints of the military ruler Toyotomi Hideyoshi enjoying the pleasures of the "floating world." The event put into stark relief the challenge that popular representation posed to political authority and, according to some sources, may have precipitated Utamaro's sudden decline. In this book Julie Nelson Davis makes a close study of selected print sets, and by drawing on a wide range of period sources reinterprets Utamaro in the context of his times. Reconstructing the place of the ukiyo-e artist within the world of the commercial print market, she demonstrates how Utamaro's images participated in the economies of entertainment and desire in the city of Edo (modern-day Tokyo). Offering a new approach to issues of the status of the artist and the construction of identity, gender, sexuality, and celebrity in the Edo period, Utamaro and the Spectacle of Beauty is a significant contribution to the field and a key work for readers interested in Japanese art and culture.
일본미술의 다양한 미술문화현상 중 하나를 주제로 선정하여 폭넓고 심도있게 다룬다.
Art of Ancient India /
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the authors' aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: "Not since Coomaraswamy's History of Indian and Indonesian Art (1927) has there been a survey of such completeness." Indeed, this work restudies and reevaluates every frontier of ancient Indic art from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writings through the most modern scholarship on the subject. This dynamic survey--generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms--is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all-encompassing view of the art. An outstanding portrayal of ancient India's highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art. An immensely important contribution to the scholarship on South Asian art, this fresh and enlightening survey is surely destined to become the standard reference in the field.
인도의 여러 지역의 다양한 미술문화현상 중 하나를 주제로 선정하여 심도있게 다룬다.
중앙아시아의 여러 지역의 다양한 미술문화 현상 중 하나의 주제를 선정하여 발표와 토론으로 수업을 진행한다.
Art and Palace Politics in Early Modern Japan, 1580s-1680s /
During the first century of Japan s early modern era (1580s to 1680s), art and architecture created for the imperial court served as markers of social prestige, testifying to the enduring centrality of the palace to the cultural life of Kyoto. Emperors Go-Y zei and Go-Mizunoo relied on financial support from ruling warlords Toyotomi Hideyoshi and the Tokugawa shoguns just as the warlords sought imperial sanction granting them legitimacy to rule. Taking advantage of this complex but oftentimes strained synergy, Go-Y zei and Go-Mizunoo (and to an unprecedented exent his empress, T fukumon in) enhanced the heriditary prerogatives of the imperial family. Among the works described in this volume are masterpieces commissioned for the residences and temples of the imperial family, which were painted by artists of the Kano, Tosa and Sumiyoshi ateliers, not to mention Tawaraya S tatsu. Anonymous but deluxe painting commissions depicting grand imperial processions are examined in detail. The court s fascination with calligraphy and tea, arts that flourished in this age, is also discussed in this profusely illustrated volume.
The Tale of Genji /
Lady Murasaki's exquisite, 11th-century portrait of courtly life in medieval Japan has been widely celebrated as the world's first novel. Offering a lively and well-rounded glimpse of golden age Japan with a cast of richly conceived and nuanced characters, Royall Tyler's superb translation, detailed and poetic, is scrupulously true to the Japanese original yet appeals as well to modern readers.
Envisioning the Tale of Genji /
Bringing together scholars from across the world, Haruo Shirane presents a fascinating portrait of The Tale of Genji's reception and reproduction over the past thousand years. The essays examine the canonization of the work from the late Heian through the medieval, Edo, Meiji, Taisho, Showa, and Heisei periods, revealing its profound influence on a variety of genres and fields, including modern nation building. They also consider parody, pastiche, and re-creation of the text in various popular and mass media. Since the Genji was written by a woman for female readers, contributors also take up the issue of gender and cultural authority, looking at the novel's function as a symbol of Heian court culture and as an important tool in women's education. Throughout the volume, scholars discuss achievements in visualization, from screen painting and woodblock prints to manga and anime. Taking up such recurrent themes as cultural nostalgia, eroticism, and gender, this book is the most comprehensive history of the reception of The Tale of Genji to date, both in the country of its origin and throughout the world.
The Tale of Genji /
An illustrated guide to one of the most enduring masterworks of world literature Written in the eleventh century by the Japanese noblewoman Murasaki Shikibu, The Tale of Genji is a masterpiece of prose and poetry that is widely considered the world's first novel. Melissa McCormick provides a unique companion to Murasaki's tale that combines discussions of all fifty-four of its chapters with paintings and calligraphy from the Genji Album (1510) in the Harvard Art Museums, the oldest dated set of Genji illustrations known to exist. In this book, the album's colorful painting and calligraphy leaves are fully reproduced for the first time, followed by McCormick's insightful essays that analyze the Genji story and the album's unique combinations of word and image. This stunning compendium also includes English translations and Japanese transcriptions of the album's calligraphy, enabling a holistic experience of the work for readers today. In an introduction to the volume, McCormick tells the fascinating stories of the individuals who created the Genji Album in the sixteenth century, from the famous court painter who executed the paintings and the aristocrats who brushed the calligraphy to the work's warrior patrons and the poet-scholars who acted as their intermediaries. Beautifully illustrated, this book serves as an invaluable guide for readers interested in The Tale of Genji, Japanese literature, and the captivating visual world of Japan's most celebrated work of fiction.
The Tale of Genji /
A comprehensive exploration of the rich visual culture inspired by the exceptional 11th-century literary masterpiece, from early screen paintings through contemporary manga With its vivid descriptions of imperial society, gardens, and architecture in early 11th-century Japan, The Tale of Genji--recognized as the world's first psychological novel--has captivated audiences around the globe and inspired artistic traditions for 1,000 years. This handsomely designed and illustrated book explores the outstanding art associated with Genji through in-depth essays and discussions of nearly 120 works. TheTale of Genji has influenced all forms of Japanese artistic expression, from intimately scaled albums and fans to boldly designed hanging scrolls and screen paintings by the most esteemed artists and calligraphers of every school and era. Scenes from the tale adorn decorative objects used in everyday life, including robes, lacquer boxes, containers for grooming tools and writing implements, incense burners, and even palanquins for transporting young brides to their new homes. The authors, both art historians and Genji scholars, discuss the tale's transmission and reception over the centuries; illuminate its place within the history of Japanese literature and calligraphy; highlight its key episodes and characters; and explore its wide-ranging influence on Japanese culture, design, and aesthetics into the modern era.
동양미술사에 관련된 여러 주제 중 하나를 선정하여 심도있고 폭넓게 다룬다.
Donors of Longmen /
Donors of Longmen is the first work in a Western language to re-create the history of the Longmen Grottoes, one of China's great stone sculpture treasure houses. Longmen, a UNESCO World Heritage site located near the old capital of Luoyang in modern Henan Province, consists of thousands of ancient cave chapels and shrines containing Buddhist icons of all sizes that were carved into the towering limestone cliffs from the fifth to the eighth centuries. Beyond its superb sculpture, Longmen also preserves thousands of engraved dedicatory inscriptions by its donors, who included emperors and empresses, aristocrats, court eunuchs, artisans, monks, nuns, lay societies, female palace officials, male civil and military officials, and ordinary lay believers.Based on wide reading of both Asian and Western-language scholarship and careful analysis of the architecture, epigraphy, and iconography of the site,
Ordinary Images /
This richly illustrated book explores the large body of sculpture, paintings, and other religious imagery produced for China's common classes from the third to the sixth centuries C.E. In contrast to the works made for imperial patrons, illustrious monastics, or other luminaries, these ordinary images-modest in scale, mass produced, and at times incomplete-were created for those of lesser standing. Because they cannot be related to well-known historical figures or social groups, these images have been considered a largely nebulous, undistinguished mass of works. Situating his study in the gaps between conventional categories such as Buddhism, Daoism, and Chinese popular art, Abe examines works--including some of the earliest known examples of Buddha-like images in China--that were commissioned by patrons of modest standing and produced by nameless artists and artisans. Sophisticated and lucidly written, Ordinary Images offers an unprecedented exploration of the lively and diverse nature of image making and popular practices.
Literary Evidence For Early Buddhist Art in China / 불교미술에 관련된 여러 주제 중 하나를 선정하여 심도있고 폭넓게 다룬다.
Art History /
Unique in its approach, by applying the different theories used in art history to one painting, Picasso's Les Demoiselles d'Avignon An ideal text for teaching, it provides a lively and stimulating introduction to methodological debates within the subject Offers a lucid account of approaches from Hegel to post-colonialism by explaining the philosophical and political assumptions behind each approach using clear examples Offers a sense of art history's own history as a discipline, from its emergence in the late-eighteenth century to contemporary practices
미술사의 다양한 연구법들을 살펴본다.
Painting in Spain, 1500-1700 /
A revised edition of the Golden Age of Painting in Spain in the YALE UNIVERSITY PRESS PELICAN HISTORY OF ART series. As well as describing and analysing Spanish painting, sculpture, and architecture, the author considers the political, economic and religious contexts of the art and artists.
바로크 미술의 흐름을 다양한 각도에서 살펴본다.
Painting and Sculpture in France, 1700-1789 /
Discusses the major painters and sculptors of the period during the last years of France's ancien regime - a period that started with Watteau and the fete galante and closed with the revolutionary history paintings of David.
18세기 서양미술의 다양한 미술문화 현상 중 하나의 주제를 선정하여 심도있게 다룬다.
Manet Manette /
In this absorbing book, Carol Armstrong looks closely at the diverse works of Manet to uncover a novel and compelling view not only of the artist. She places the art of this founding father of modernism within frameworks of color, the feminine Other, and consumerism, and she offers fresh insights into his methods of self-presentation, his exhibition strategies, his relationships, and more.
The Painting of Modern Life /
The description for this book, The Painting of Modern Life: Paris in the Art of Manet and His Followers, will be forthcoming.
Manet and the Execution of Maximilian / 
Manet's Modernism or, The face of painting in the 1860s /
"Manet's Modernism" is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Fried provides an entirely new understanding not only of the art of Manet and his generation but also of the way in which the Impressionist simplification of Manet's achievement had determined subsequent accounts of pictorial modernism down to the present. Like Fried's previous books, "Manet's Modernism" is a milestone in the historiography of modern art. "Beautifully produced. . . . Fried's] thought is always stimulating, if not provocative. This is an important book, which all students of modernism, in the broadest sense, will find rewarding." "Virginia Quarterly Review" "An astonishing piece of scholarship that will cause readers to rethink their understanding of Manet's influence, ambition, and achievement." Gary Michael, "Bloomsbury Review" "An audaciously brilliant book, long awaited and as essential reading for philosophers as for art historians." Wayne Andersen, "Common Knowledge" "Art history of the highest originality and distinction." Arthur C. Danto, "New York Times Book Review" "
Manet and His Critics /
Manet and his Critics is a closely-documented case study of the relationship of the artist to society. Mr. Hamilton draws on contemporary newspapers, periodicals, letters, and critical essays to examine the critical tempest that Manet's paintings created in his time. He follows the evolution of Manet's style, his struggles to have his work accepted, and the history of both the abuse and praise he received.
Manet/Velazquez: The French Taste for Spanish Painting /
In 1804, at the dawn of the French Empire, there were no more than a handful of Spanish paintings in public collections in France. During the course of the nineteenth century, however, French collectors and museums assembled substantial holdings of works by such Spanish masters as Velázquez, El Greco, Zurbarán, Murillo, and Goya. At the same time, French writers and artists--among them Delacroix, Géricault, Courbet, Millet, Bonnat, Degas, and, especially, Manet--came to understand, appreciate, and even emulate Spanish painting of the Golden Age. This beautiful book features over 150 works by French and Spanish artists, charting the development of this cultural influence and mapping a fascinating shift in the paradigm of painting: from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, it vividly demonstrates how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art. American artists of the second half of the nineteenth century often turned to Europe for training and inspiration. Whistler, Cassatt, Eakins, Chase, and Sargent all traveled to Spain for firsthand exposure to its artistic heritage and experienced the thrill of discovering Spanish painting. Also included in this volume are works by American artists that clearly reflect the pervasive influence of and taste for Spanish painting.
18세기 후반 신고전주의로부터 19세기말 후기인상주의까지 전개된 서양미술의 흐름을 대상으로 하며, 특히 전 유럽에 걸쳐 막강한 영향력을 과시했던 18세기 후반의 프랑스 대혁명과 산업혁명의 결과로 변화된 다양한 역사적 관점에서 대표적인 양식과 주요 작가들의 작품을 연구 분석하고자 한다.
Art of Renaissance Venice, 1400-1600 /
Chronicling the fifteenth and sixteenth centuries and journeying from the Piazza San Marco to the villas of the Veneto, this vivid and authoritative survey of architecture, sculpture, and painting offers a rich perspective on the history and artistic achievements of Renaissance Venice. Distinguished scholar Loren Partridge examines the masterpieces of Venice's urban design, civic buildings, churches, and palaces within their distinctive cultural and geographic milieus, exploring issues of function, style, iconography, patronage, and gender. Readers will also discover fascinating in-depth analyses of major works of such artists as Giovanni Bellini, Carpaccio, Giorgione, Palladio, Tintoretto, Titian, and Veronese. Designed to appeal to students and travelers alike, this essential guide to the art and architecture of Renaissance Venice brings La Serenissima to life as never before.
르네상스 미술이 특히 발달했던 지역은 이탈리아, 플랑드르, 독일 등이다. 한편 각 지역안에서 여러 도시들에서 미술가들의 활동이 있어왔다. 이 과목은 각 학기마다 지역이나 시기에 따라, 혹은 작가나 특수 주제를 선택해 심층적인 접근을 한다. 그러므로 이 과목의 운영은 주제에 따라 조금씩 달라질 수밖에 없으나 상당한 분량의 문헌 조사와 읽기, 주요 논문들의 분석과 비판적 접근을 기본으로 한다. 그 후 학생들은 각자 선택한 주제에 따라 논문을 쓰고 발표를 하는 방법으로 진행한다.
Early Christian and Byzantine Art /
The appreciation of early Christian and Byzantine Art as a sublime expression of religious thought and feeling is a comparatively modern phenomenon. Byzantine art is both static and dynamic: static in the sense that once an image was established it was felt that no improvement was necessary; dynamic in the sense that there was never one style and these styles or modes were constantly changing. The story is not only complex in its unravelling but ranges widely over various media: mosaic, wall painting and painted panels, sculpture in marble and ivory, manuscript illumination, gold, silver, and precious stones, jewellery, silk and rich vestments. This is an account by a medieval art-historian.
Early Christian and Byzantine Architecture /
By now a classic, it presents in a single volume a coherent overall view of the history and the changing character of Early Christian and Byzantine architecture, from Rome and Milan to North Africa, from Constantinople to Greece and the Balkans, and from Egypt and Jerusalem to the villages and monasteries of Syria, Asia Minor, Armenia, and Mesopotamia.
The Art and Architecture of Russia /
This revised and updated history confines itself to Russia west of the Urals, the Russia whose artistic beginnings lay in the response of a newly settled people to the impact of Christianity and the Byzantine Empire. In the first centuries the arts flourished and developed in the independent states and principalities, but gradually native schools in centres like Novgorod and Kiev gave way to centralization based on Moscow. From the emergence of Russia under Peter the Great until the late 19th century, specifically Russian qualities gave way to Western European inspiration and advice. However, as the 19th century developed, there was a reaction from foreign domination and this led to the rediscovery of native traditions.
The Theology of the Icon /
The most comprehensive introduction available to the history and theology of the icon. Surveys the development of the sacred art of the Christian East from its beginnings in catacomb art through the iconoclastic controversies of the eighth and ninth centuries to the development of early Russian iconography and the state of the art today.
Architecture as Icon /
Presenting the first formulation of the central subject, this volume challenges major assumptions long held by Western art historians and provides new ways of thinking about, looking at, and understanding Byzantine art in its broadest geographic and chronological framework, from A.D. 300 to the early nineteenth century. Byzantine art abandoned classical ideals in favor of formulas that conveyed spiritual concepts through stylized physical forms. Scholarship dealing with Byzantine icons has previously been largely focused on depictions of holy figures, dismissing representations of architecture as irrelevant space-filling background. Architecture as Icon demonstrates that background representations of architecture are meaningful, active components of compositions, often as significant as the human figures. The book provides a critical view for understanding the Byzantine conception of architectural forms and space and the corresponding intellectual underpinnings of their representation. Introduced by four thought-provoking essays, the catalogue divides the material as included in the exhibition into four categories identified as: generic, specific, and symbolic representations, and a final grouping entitled “From Earthly to Heavenly Jerusalem.” This handsomely illustrated volume addresses various approaches to depicting architecture in Byzantine art that contrast sharply with those of the Renaissance and subsequent Western artistic tradition.
The Meaning of Icons /
The classic work on the techniques, language, and interpretation of icons in the context of theology and faith. Commentary and analysis of the main types of icons. Lavishly illustrated, with 160 pages of text with drawings, 13 b/w, and 51 color plates. "In the nearly 40 years since the publication of the first German edition of this book, it has lost virtually none of its value for researchers, collectors, and in general anyone interested in iconography." - Konrad Onasch, Theologische Literaturzeitung. "The Meaning of Icons, written with the theologian Vladimir Lossky, has done more than any single book for the study and application of icons in the twentieth century." - Charles Lock, Canadian Slavonic Papers. Other books on Iconography published by St Vladimir's Seminary Press include: Doors of Perception: Icons and Their Significance, by John Baggley & Richard Temple; The Art of the Icon: A Theology of Beauty, by Paul Evdokimov; Theology of the Icon: Volumes I and II, by Leonid Ouspensky; The Resurrection and the Icon, by Michel Quenot; and Iconostasis, by Pavel Florensky.
Byzantium: Faith and Power (1261-1557) /
The vibrant culture of Byzantium influenced the artistic traditions of neighboring cultures in Western Europe and the Islamic East well into the modern era. The Metropolitan Museum of Art’s 2004 exhibition catalogue Byzantium: Faith and Power, 1261-1557 was among the first to focus on the art of the empire’s final two centuries and its exceptional heritage. This collection of essays by international scholars continues to expand on this area of study, exploring critical issues of politics, trade, religion, and culture that helped shape the last centuries of the empire as well as the rise of the early modern age. By taking different and innovative approaches to the period, the authors arrive at a more complete portrait of Byzantium and its artistic legacy. Included are essays by Hans Belting, Professor Emeritus of Art History and Media Studies, Staatliche Hochschule f#65533;r Gestaltung Karlsruhe, and Honorary Professor, University of Heidelberg, and Thomas F. Mathews, Institute of Fine Arts, New York University.
서양 중세의 미술문화를 당대의 사회 문화적 환경과 연관지어 살펴본다.
The Art and Architecture of the Ancient Orient /
Traces the development of Mesopotamian art from Sumerian times to the late Assyrian and Neo-Babylonian periods. This text also covers the art and architecture of Asia Minor and the Hittites, of the Levant in the second millennium BC, of the Aramaeans and Phoenicians in Syria, and of Ancient Persia.
The Art and Architecture of Ancient Egypt /
In this book, Ancient Egyptian monuments, their decorations, and other works of art are reproduced. The tombs at Thebes, the temples of Luxor and Karnak, and the palaces of Akhenaten and Amenhotep II are shown. Also presented are portraits depicting kings and queens and their civil servants.
A Companion to Ancient Near Eastern Art /
Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field's most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.
A Companion to Ancient Egyptian Art /
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. * Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences * Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art * Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works * Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, * Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to 'X-ray fluorescence' and 'image-based interpretations systems'
근동, 이집트, 그리스/로마의 건축과 미술은 지중해 문명을 이루는 삼대 지주로서 이후 로마제국이 유럽으로 팽창함에 따라 현대에 이르기까지 유럽 건축과 미술의 발전에 기본 토대가 되었다. 2군 과목으로 개설하여 한번은 근동 및 이집트 미술사를 다루면서 건축 미술과 같은 물질 문화뿐 아니라 이와 관련되어 이후 유럽 문명에 지대한 영향을 끼치는 Hebraism의 문제를 다루고, 다른 한번은 그리스 로마의 건축과 미술을 다루면서 Hellenism의 문제를 다루고자 한다. 이는 본과에서 제공하는 중세 및 르네상스 미술사 수업의 주제인 그리스도교와 인문주의 문화 공부의 토대가 될 것이다.
