| 102.615 | 중국시가연구 | |
| 102.617 | 중국희곡연구 | |
| 102.618 | 중국산문연구 | |
| 102.619A | 중국고전문학이론연습 | |
| 102.623 | 경서연구 | |
| 102.643 | 중국문학사연습 | |
| 102.646 | 중국현대문학연습 | |
| 102.647 | 중국어학연습 | |
| 102.648A | 중국사곡연구 | |
| 102.653A | 중국현대문학이론연습 | |
| 102.655A | 중국어어법연습 | |
| 102.656 | 중국어음운론연구 | |
| 102.657 | 중국문자학연구 | |
| 102.661 | 중국어의미론연구 | |
| 102.664 | 중국고문법연구 | |
| 102.665A | 중국문헌학연습 | |
| 102.660 | 제자백가연구 | |
| 102.667 | 중국소설연습 | |
| 102.670 | 중국고전문학연습 | |
| 102.671 | 중국강창연구 | |
| 102.672 | 중국소설연구 | |
| 102.673 | 중국사부연구 | |
| 102.674 | 선진문헌연구 | |
| 102.675 | 양한위진남북조문학연구 | |
| 102.676 | 당송문학연구 | |
| 102.677 | 원명청문학연구 | |
| 102.678 | 중국근대문학연구 | |
| 102.679 | 중국현대문학연구 | |
| 102.680 | 현대중국어어법연구 | |
| 102.681 | 한중문학교류연구 | |
| 102.682 | 중국문학연구방법론연습 | |
| 102.683 | 중국어학연구방법론연습 | |
| 102.684 | 중국어교육방법론연습 | |
| 102.685 | 중국문헌전제연습 | |
| 102.686 | 중국고대의 문화, 지식, 텍스트 | |
| 102.687 | 중국문화의 원형과 변용 | |
| 102.688 | 중국문학의 사회적 기제 | |
| 102.689 | 중국어와 중국인의 사유형식 | |
| 102.690 | 중국어의 역사적 변천 |
Families of Virtue: Confucian and Western Views on Childhood Development /
Families of Virtue articulates the critical role of the parent-child relationship in the moral development of infants and children. Building on thinkers and scientists across time and disciplines, from ancient Greek and Chinese philosophers to contemporary feminist ethicists and attachment theorists, this book takes an effective approach for strengthening families and the character of children. Early Confucian philosophers argue that the general ethical sensibilities we develop during infancy and early childhood form the basis for nearly every virtue and that the parent-child relationship is the primary context within which this growth occurs. Joining these views with scientific work on early childhood, Families of Virtue shows how Western psychology can reinforce and renew the theoretical underpinnings of Confucian thought and how Confucian philosophers can affect positive social and political change in our time, particularly in such areas as paid parental leave, breastfeeding initiatives, marriage counseling, and family therapy.
Empresses and Consorts: Selections from Chen Shou’s Records of the Three States with Pei Songzhi’s Commentary /
This is a critical overview of developments in thought and institutions affecting palace women from earliest times through to the Han, showing how attitudes changed over time. The core of the book is an annotated translation of the three fascicles of Chen Shou's Records of the Three States.
Kingship in Early Medieval China /
The institution of the Retired Emperor forms the innovative angle from which this study analyzes Classical Chinese political history (4th to 7th centuries A.D.). With the help of the ensuing insights the volume develops into a portal through which to gain understanding of broader patterns of political and social action relevant to the Classical Chinese monarchy. In this truly interdisciplinary approach Weberian historical sociological concepts are engaged as a means of bringing specific historical actions into a wider cross cultural comparative perspective and lays the basis for a new framework to think about kingship and succession in East Asia.
Chinese Views of Childhood /
Chinese in the twentieth century, intent on modernizing their country, condemned their inherited culture in part on the grounds that it was oppressive to the young. The authors of this pioneering volume provide us with the evidence to re-examine those charges. Drawing on sources ranging from art to medical treatises, fiction, and funerary writings, they separate out the many complexities in the Chinese cultural construction of childhood and the ways it has changed over time. listening to how Chinese talked about children - whether their own child, the abstract child in need of education or medical care, the ideal precocious child, or the fictional child - lets us assess in concrete terms the structures and values that underlay Chinese life. -- Patricia Buckley Ebrey, University of Illinois
Exemplary Women of Early China: The Lienv zhuan of Liu Xiang /
In early China, was it correct for a woman to disobey her father, contradict her husband, or shape the public policy of a son who ruled over a dynasty or state? According to the Lienü zhuan, or Categorized Biographies of Women, it was not only appropriate but necessary for women to step in with wise counsel when fathers, husbands, or rulers strayed from the path of virtue. Compiled toward the end of the Former Han dynasty (202 BCE-9 CE) by Liu Xiang (79-8 BCE), the Lienü zhuan is the earliest extant book in the Chinese tradition solely devoted to the education of women. Far from providing a unified vision of women's roles, the text promotes a diverse and sometimes contradictory range of practices. At one extreme are exemplars resorting to suicide and self-mutilation as a means to preserve chastity and ritual orthodoxy. At the other are bold and outspoken women whose rhetorical mastery helps correct erring rulers, sons, and husbands. The text provides a fascinating overview of the representation of women's roles in early legends, formal speeches on statecraft, and highly fictionalized historical accounts during this foundational period of Chinese history. Over time, the biographies of women became a regular feature of dynastic and local histories and a vehicle for expressing and transmitting concerns about women's social, political, and domestic roles. The Lienü zhuan is also rich in information about the daily life, rituals, and domestic concerns of early China. Inspired by its accounts, artists across the millennia have depicted its stories on screens, paintings, lacquer ware, murals, and stone relief sculpture, extending its reach to literate and illiterate audiences alike.
Women Shall Not Rule: Imperial Wives and Concubines in China from Han to Liao /
Chinese emperors guaranteed male successors by taking multiple wives, in some cases hundreds and even thousands. Women Shall Not Rule offers a fascinating history of imperial wives and concubines, especially in light of the greatest challenges to polygamous harmony--rivalry between women and their attempts to engage in politics. Besides ambitious empresses and concubines, these vivid stories of the imperial polygamous family are also populated with prolific emperors, wanton women, libertine men, cunning eunuchs, and bizarre cases of intrigue and scandal among rival wives. Keith McMahon, a leading expert on the history of gender in China, draws upon decades of research to describe the values and ideals of imperial polygamy and the ways in which it worked and did not work in real life. His rich sources are both historical and fictional, including poetic accounts and sensational stories told in pornographic detail. Displaying rare historical breadth, his lively and fascinating study will be invaluable as a comprehensive and authoritative resource for all readers interested in the domestic life of royal palaces across the world.
To Die and Not Decay: Autobiography and the Pursuit of Immortality in Early China /
To Die and Not Decay is the only book-length study to date on early Chinese autobiographical writing and the cultural issues surrounding this particular genre. While other studies have regarded texts of the Han (206 BCE-220 CE) and early medieval period (220-589 CE) as antecedents for later authors, Matthew Wells focuses exclusively on earlier texts such as Ge Hong's (ca. 283-343 CE) "Authorial Postface" to the Baopuzi Waipian and asks what they say about the development of subjectivity, individual identity, and historical consciousness in early China. By putting these texts in dialogue with contemporary literary criticism, Wells challenges Western approaches to autobiography that have largely dominated studies of early Chinese self narrative.
Heroines of the Qing: Exemplary Women Tell their Stories /
Heroines of the Qing introduces an array of Chinese women from the eighteenth and nineteenth centuries who were powerful, active subjects of their own lives and who wrote themselves as the heroines of their exemplary stories. Traditionally, "exemplary women" (lienu)--heroic martyrs, chaste widows, and faithful maidens, for example--were written into official dynastic histories for their unrelenting adherence to female virtue by Confucian family standards. However, despite the rich writing traditions about these women, their lives were often distorted by moral and cultural agendas. Binbin Yang, drawing on interdisciplinary sources, shows how they were able to cross boundaries that were typically closed to women--boundaries not only of gender, but also of knowledge, economic power, political engagement, and ritual and cultural authority. Yang closely examines the rhetorical strategies these "exemplary women" exploited for self-representation in various writing genres and highlights their skillful negotiation with, and appropriation of, the values of female exemplarity for self-empowerment.
The Emblematic Queen: Extra-Literary Representations of Early Modern Queenship /
This study examines representations of early modern female consorts and regnants via extra-literary emblematics such as paintings, jewelry, miniature portraits, carvings, placards, masques, funerary monuments, and imprese.
Fairy Tale Queens: Representations of Early Modern Queenship /
Most of today's familiar fairy tales come from the stories of Charles Perrault, the Brothers Grimm, and Hans Christian Andersen, but this innovative study encourages us to explore the marvelous tales of authors from the early modern period Giovanni Straparola, Giambattista Basile, Madame Marie-Catherine D'Aulnoy, and others whose works enrich and expand the canon. As author Jo Eldridge Carney shows, the queen is omnipresent in these stories, as much a hallmark of the genre as other familiar characteristics such as the number three, magical objects, and happy endings. That queens occupy such space in early modern tales is not surprising given the profound influence of so many powerful queens in the political landscapes of early modern England and Europe. Carney makes a powerful argument for the historical relevance of fairy tales and, by exploring the dynamic intersection between fictional and actual queens, shows how history and folk literature mutually enrich our understanding of the period.
The Last Medieval Queens: English Queenship 1445-1503 /
The last medieval queens of England were Margaret of Anjou, Elizabeth Woodville, Anne Neville, and Elizabeth of York - four very different women whose lives and queenship were dominated by the Wars of the Roses. This book is not a traditional biography but a thematic study of the ideology andpractice of queenship. It examines the motivations behind the choice of the first English-born queens, the multi-faceted rituals of coronation, childbirth, and funeral, the divided loyalties between family and king, and the significance of a position at the heart of the English power structure thatcould only be filled by a woman. It sheds new light on the queens' struggles to defend their children's rights to the throne, and argues that ideologically and politically a queen was integral to the proper exercise of mature kingship in this period.
Empresses, Art, and Agency in Song Dynasty China /
Empresses, Art, and Agency in Song Dynasty China is the first book in any language devoted to the art of imperial women in China. Utilizing a wide range of historical sources and materials, this groundbreaking, interdisciplinary study pieces together a lost history of female creativity by focusing on the critical role emperors' wives played as patrons, collectors, taste-makers, and artists during the three-century Song dynasty (960-1279), an era noted for spectacular cultural achievements. The Song led China to unrivaled intellectual, socioeconomic, scientific, and urban advances. A flourishing printing culture helped spur a dramatic expansion of literacy that benefited women, whose talent in learning was often paired with virtue and was exemplified by the Song imperial women. Paralleling these developments was an unprecedented level of imperial patronage of the fine arts, including painting and calligraphy. However, while individual emperors such as Huizong (r. 1100-1125) have long been recognized for their importance in this arena, the role played by imperial women has remained largely hidden, subject in part to the biases of Chinese historiography. Drawing against the backdrop of their formidable presence in court politics, Hui-shu Lee recounts and reveals the stories of their lives and art. Lee focuses on such Song empresses as Liu, Wu, and Yang Meizi, artists and powerbrokers whose skill and influence helped shape the development of temple construction, sculpture, painting, and many other aspects of arts and culture. Acting in the shadow of the notorious female emperor Wu Zetian of the Tang dynasty, early Song imperial women began to define themselves through images and modes of expression that purposely concealed their power. In the process, they helped forge an effective and lasting model of female agency in China. In her exploration of Song imperial arts, Lee looks at ghost-writing, art collecting, didactic art, and the use of calligraphy and painting as gendered modes of expression. She draws on a number of disciplines, including art history, literature, history, and gender studies, to provide a unique account of the vital role of empresses in shaping Song art and culture.
Queenship, Gender, and Reputation in the Medieval and Early Modern West, 1060-1600 /
This edited collection opens new ways to look at queenship in areas and countries not usually studied and reflects the increasingly interdisciplinary work and geographic range of the field. This book is a forerunner in queenship and re-invents the reputations of the women and some of the men. The contributors answers questions about the nature of queenship, reputation of queens, and gender roles in the medieval and early modern west. The essays question the viability of propaganda, gossip, and rumor that still characterizes some queens in modern histories. The wide geographic range covered by the contributors moves queenship studies beyond France and England to understudied places such as Sweden and Hungary. Even the essays on more familiar countries explores areas not usually studied, such as the role of Edward II's stepmother, Margaret of France in Gaveston's downfall. The chapters clearly have a common thread and the editors' summary and description of the collection is valuable in assisting the reader. The collection is divided into two sections "Biography, Gossip, and History" and "Politics, Ambition, and Scandal." The editors and contributors, including Zita Eva Rohr and Elena Woodacre, are scholars at the top of their field and several and engage and debate with recent scholarship. This collection will appeal internationally to literary scholars and gender studies scholars as well historians interested in the countries included in the collection.
The Body of the Queen: Gender and Rule in the Courtly World, 1500-2000 /
How many "bodies" does a queen have? What is the significance of multiple "bodies"? How has the gendered body been constructed and perceived within the context of the European courts during the course of the past five centuries? These are some of the questions addressed in this anthology, a contribution to the ongoing debate provoked by Ernst H. Kantorowicz in his seminal work from 1957, The King's Two Bodies. On the basis of both textual self-presentations and visual representations a gradual transformation of the queen appears: A sacred/providential figure in medieval and early modern period, an ideal bourgeois wife during the late-18th and 19th Centuries, and a star-like (re-) presentation of royalty during the past century. Twentieth-century mass media has produced the celebrity and film star queens personified by the contested and enigmatic Nefertiti of ancient Egypt, the mysterious Elizabeth (Sisi) of Austria, Grace Kelly as Queen of both Hollywood and Monaco and Romy Schneider as the invented Empress.
A Companion to Global Queenship /
This collection expands previous regional and individual studies of queenship and female political agency in order to engage in a comparative study of premodern female rule on a global scale. While the field of queenship studies and examinations of gender and power have been flourishing, the literature has tended to be dominated by studies of European royalty. This volume aims toembrace and develop the trend towards an increasingly global outlook for the field of queenship studies. Case studies of women from different periods, places, and religions are deliberately mixed to compare and contrast the realities of queenship in varied settings. Lesser studied examples of queens are provided alongside fresh perspectives on more familiar figures and regions. The authors increase our understanding of understudied individuals and groups of queens, and they encourage the comparison of the practice of queenship in the premodern era. This authoritative and comprehensive Companion will be required readingfor all scholars and students of premodern gender and political studies.
Royal Mothers and their Ruling Children: Wielding Political Authority from Antiquity to the Early Modern Era /
Royal Mothers and their Ruling Children: Wielding Political Authority from Antiquity to the Early Modern Era brings together a range of case studies from the Pre-Modern era to illustrate key themes with regard to motherhood, ambition and authority, with a focus on queens and elite women who are at the political heart of their respective realms.
본 강좌는 역대의 시학 및 문학사상, 문학이론 등에서 비중 있는 문헌과 핵심 이론을 선별적으로 검토 연구함으로써, 중국고전문학이론의 실제를 포괄적, 통섭적으로 파악하기 위해 개설되었다. 통시적으로는 선진시기부터 청대까지의 주요 문헌과 이론을 다루며, 공시적으로는 근대 이후에 수행된 중국고전문학이론 연구의 이론과 실제도 함께 다룬다. 다만 상술한 범위는 그 양과 깊이가 상당하므로, 실제 강좌는 고전문학이론 그 자체와 연구사에서의 주요 논점이 되는 다양한 주제를 선정하여, 이를 매개로 중국고전문학이론에 대한 체계적인 안목과 깊은 통찰력 및 응용력을 배양하는 방식으로 진행된다. 따라서 주제는 매 학기 달라지며, 부제의 형태로 사전에 공지된다. 강의형태는 부제에 따라 주요 원전에 대한 강독과 주석, 세부 주제에 대한 토론과 세미나, 연구논저의 강독과 비판적 읽기 및 에세이 작성 등의 방식을 선별적으로 운용한다.
后朦胧诗全集 / 여기서의 현대문학(modern literature)은 근대문학과 당대문학(contemporary literature)을 포괄한다. 곧 1840년 아편전쟁 이후부터 5.4신문화운동, 중화인민공화국 수립 및 개혁개방 이후를 거쳐 지금에 이르는 시기의 문학 전반을 지시한다. 이 강좌에서는 중국현대문학에 대해 중국 및 기타 지역에서 수행한 이론적 고찰의 실제를 비판적 혹은 발생적으로 고찰한다. 수업은 중국현대문학이론 관련 원전 및 연구논저의 강독과 비판적 읽기 및 에세이 작성 등을 중심으로 진행된다.
본 강좌는 <현대중국어어법연구> 교과목에서 다루지 못하는 주제 중 현대 중국어 어법에서 논점이 되는 다양한 주제를 선정하여, 현대 중국어 어법을 비판적으로 고찰하는 것을 목표로 한다. 주제는 매 학기 달라지며, 부제의 형태로 사전에 공지된다.
본 강좌는 중국 문헌학의 중요한 연구 분야 가운데 하나인 문자학의 다양한 주제를 탐색하여 연구의 기초를 확립하는 것을 목표로 한다. 특히, 한자의 자형 변화와 설문해자에 대한 연구 방법과 관련 분야의 국내외 저명 논문을 섭렵하는데 초점이 놓여진다.
이 과목은 중국고전문학의 각 분야에 대한 세부적인 연구에서 놓칠 수 있는 총론적인 관점을 확보하기 위한 목적이며 문학사와 각 장르를 아우르는 종합적인 테마를 중심으로 연구와 강의가 진행된다.
본 강좌에서는 원대와 명채, 청대의 문헌과 글쓰기를 다룬다. 수업은 이 시기의 문학적 저작을 중심으로 그와 연관된 지적, 문화적, 사회적 현상 등의 현상을 복합적으로 고찰하는 방식으로 진행된다. 이를 통해 이 시기의 글쓰기와 지적, 문화적 상황에 대한 포괄적인 안목을 갖추는 것이 본 강좌의 주요 목표이다. 특히 이 시기가 민간부분의 예술적 역량이 연극 등의 형태로 표출되어 중국문학사를 풍요롭게 채운 때임에 주목하여, 공연예술의 연구와 연계하여 수업을 진행한다. 수업은 이 시기의 문헌과 관련 연구논저의 강독과 비판적 읽기를 중심으로 진행하면서, 당시의 지성사, 문화사 관련 연구논저 등의 강독과 비판적 읽기를 병행한다. 또한 발표와 세미나, 에세이 작성 등도 병행된다.
语音学 / 
Tone Sandhi: Patterns Across Chinese Dialects /
Matthew Chen's landmark study offers the most comprehensive analysis to date of the rich and complex patterns of tone used in Chinese languages. Chinese has a wide repertoire of tones that undergo often surprising changes when they are connected in speech flow. This tonal alternation is known as tone sandhi. Chen examines tone sandhi phenomena across a variety of Chinese dialects. His book is the culmination of a ten-year research project and explores a range of important theoretical issues against a wealth of empirical data not previously accessible to linguists.
The Phonology of Standard Chinese /
This is a new and revised edition of the title first published by OUP in 2000.From the reviews of the first edition:'This book is a comprehensive study of the phonology of Standard Chinese. Not only is it rich in detailed and amazingly accurate factual description, it also proposes elegant theoretical solutions to many long-standing problems in Chinese phonology, such as word length variation, word order, and theapplication of the third tone sandhi. Another great strength of the book is that in every chapter, the generative literature on related issues is carefully reviewed. Therefore it can also serve as a great reference book for the past advances in Chinese generative phonology. Moreover, the book iswritten in a down-to-earth fashion and is very approachable by anyone with the slightest interest in Chinese languages or phonology but relatively little training in either area.' Jie Zhang, Linguist'Because of its accessibility, this book can be used as an introductory textbook for Chinese phonology or Chinese linguistics.... Every phonologist and student of Chinese linguistics will find something valuable from the book because of its wealth of data and insightful analyses.' Yen-Hwei Lin,Phonology'Explanations are based on a variety of perspectives, from traditional views of the phoneme to feature geometry and Optimality Theory, each concisely introduced so that the discussion easy to follow even for the novice. The result is a flowing, integrated approach that addresses - and solves - someof the thorniest perennial problems in Chinese phonology.... Because this user-friendly introduction offers innovative new solutions to old problems, it enjoys the rare distinction of succeeding both as an essential textbook of Standard Chinese phonology and as an important new theoretical advancein phonological analysis.' Edward J. Vajda, Language
Syllable Structure: The Limits of Variation /
This book looks at the range of possible syllables in human languages. The syllable is a central notion in phonology but basic questions about it remain poorly understood and phonologists are divided on even the most elementary issues. For example, the word city has been syllabified as ci-ty(the 'maximal onset' analysis), cit-y (the 'no-open-lax-V' analysis), and cit-ty (the 'geminate C' analysis).San Duanmu explores and clarifies these and many other related issues through an in-depth analysis of entire lexicons of several languages. Some languages, such as Standard and Shanghai Chinese, have fairly simple syllables, yet a minimal difference in syllable structure has lead to a dramaticdifference in tonal behavior. Other languages, such as English, German, and Jiarong, have long consonant clusters and have been thought to require very large syllables: San Duanmu shows that the actual syllable structure in these languages is much simpler. He bases his analyses on quantitative data,paying equal attention to generalizations that are likely to be universal. He shows that a successful analysis of the syllable must take into account several theories, including feature theory, the Weight-Stress Principle, the size of morpheme inventory, and the metrical representation of thesyllable.San Duanmu's clear exposition will appeal to phonologists and advanced students and will provide a new benchmark in syllabic and prosodic analysis. He also offers an answer to the intriguing question: how different can human languages be?
A Course in Phonetics /
Phonetics is so understandable with A COURSE IN PHONETICS, International Edition and its CD! This best-selling text gets undergraduates painlessly into the subdiscipline of phonetics. Attuning your ear and practicing speech sounds is easy with the CD-ROM; over 4,000 audio files include many versions of English and almost 100 other languages. The CD also contains material for every chapter--recordings of words in the tables and performance exercises--and maps with links to sounds of the languages spoken in various areas of the world.
본 강좌는 중국어학 연구의 다양한 이론과 실제를 섭렵하기 위해 개설되었다. 통시적으로는 전통시기 한자문화권에서 활용된 연구방법론부터 근대적인 연구방법론을 다루며, 지역적으로는 중국과 대만, 홍콩과 같은 중화권 및 우리나라, 일본 그리고 근대 이후 중국학 연구의 주요 거점으로 성장한 영국과 미국, 프랑스 등지의 연구방법론을 다룬다. 다만 상술한 범위는 그 양과 깊이가 상당하므로, 실제 강좌는 중국어학연구방법론에서 주요 논점이 되는 다양한 주제를 선정하여, 이를 매개로 중국어학연구방법론에 대한 체계적인 안목과 깊은 통찰력 및 응용력을 배양하는 방식으로 진행된다. 따라서 주제는 매 학기 달라지며, 부제의 형태로 사전에 공지된다. 강의형태는 부제에 따라 세부 주제에 대한 토론과 세미나, 연구논저의 강독과 비판적 읽기 및 에세이 작성 등의 방식을 선별적으로 운용한다.